Photographer May Parlar punctuates open landscapes with colorful elements like masses of balloons and accessories separated from human wearers. Her work reflects on themes of belonging and alienation, Parlar tells Colossal, and she seeks to “explore the human condition through a feminist perspective.”
To build her fanciful scenes, Parlar explains that she layers frames to build composite images rather than manipulating the content itself. “I work across different mediums such as photography, film, performance art, sculpture, installation, and landscape art; and all of which gets merged in the end and put together with a glue that for me is the camera”. The artist first was first drawn to photography and filmmaking during her architecture and design schooling in the U.K.